One of the reasons for this site’s conception was to introduce great new concepts and talents to the mainstream audience. One of our favourites is a small indie movie called the Vast of Night. Now, we will be reviewing a small Portuguese Horror game developed back in 2019 by Protocol Games. This little gem is called The Song of Horror.  Read the full article here…

I find horror to be quite subjective, and 2018’s Midsommar is one of those films that prides itself on having a particular brand of horror. Ari Aster incorporates a similar style of psychological horror and societal commentary seen from Jordan Peele’s movies, such as Get Out. Peele even compliments Aster over his direction with this film. While not terrifying, it does leave a lasting sense of dread throughout its run time.  Read the full article here…

I am scared of many things, but never in my right mind did I ever think someone would actually try and frighten me with a box, but No One Gets Out Alive, a 2021 horror film directed by Santiago Menghini, decides to test that theory to a complicated level of results. Based on a book of the same name written by Adam Neville and distributed by Netflix, No One Gets Out Alive has a lot of build-up for an otherwise unsatisfying reveal.  Read the full article here…

Oh, where do I begin with this one? The final film of the 2022 August Indie shorts and it is the gift that keeps on giving in all the wrong ways. Horror is subjective, as what can be terrifying for one person might not be for another. It is also a genre that is the most subject to change with the times.  Read the full article here…